Future releases
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Re: Future releases
Extra 20mins on DVD release
http://blogs.indiewire.com/theplaylist/ridley-scott-says-there-will-be-an-extended-cut-of-prometheus-on-dvd-blu-ray-that-runs-20-minutes-longer-20120611?utm_source=dlvr.it&utm_medium=twitter
http://blogs.indiewire.com/theplaylist/ridley-scott-says-there-will-be-an-extended-cut-of-prometheus-on-dvd-blu-ray-that-runs-20-minutes-longer-20120611?utm_source=dlvr.it&utm_medium=twitter
chris63- Adventurer
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Join date : 2011-07-04
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Re: Future releases
If anyone I know buys the DVD I'll see if I can borrow it but I have no desire to spend money on this movie again.
EDIT: I'll stay tuned to see if people think the extended cut fixes any of the problems with this film, though. And to be fair, I did have a fairly good time watching the film even if I'm not in a hurry to go back.
EDIT: I'll stay tuned to see if people think the extended cut fixes any of the problems with this film, though. And to be fair, I did have a fairly good time watching the film even if I'm not in a hurry to go back.
Re: Future releases
A little summer solstice present for Petty: the first trailer for the new Dredd movie.
I can't tell if this is supposed to be celebrating the the Judges and militaristic policing or parodying them, but I might check this out just because I've heard so much about Dredd on here.
I can't tell if this is supposed to be celebrating the the Judges and militaristic policing or parodying them, but I might check this out just because I've heard so much about Dredd on here.
Re: Future releases
Not sure what to make of it- Dredd's good, voice sounds right, the jaw and mouth they've got pretty spot on- still dont like the uniforms and whish they had stuck with the iconic comic version.
In the comic Dredd is the hero, but he is also a complete and utter bastard. Often the Judges are used to satarise th epolice and judges sometimes you will be rooting for them. But they are tolitarian- something the Stallone version shied away from- the price of justice is freedom as the Book of the law says.
The Stallone version got some things right- mega-city one was about right- it looked like the comic version which the new one doesn't- and it had the lower level riots, the block wars-granted they crammed it all in and Stallone is terrible in it and the longer the film goes on the worse it gets- but it got some right, including occasionally the Dredd tone.
Heres the first 10 mins of it- the firtst 5 is pretty accurate to the comic really.
The new version kind of looks to the comic what Dark Knight looks to Burtons Batman. Sort of.
In the comic Dredd is the hero, but he is also a complete and utter bastard. Often the Judges are used to satarise th epolice and judges sometimes you will be rooting for them. But they are tolitarian- something the Stallone version shied away from- the price of justice is freedom as the Book of the law says.
The Stallone version got some things right- mega-city one was about right- it looked like the comic version which the new one doesn't- and it had the lower level riots, the block wars-granted they crammed it all in and Stallone is terrible in it and the longer the film goes on the worse it gets- but it got some right, including occasionally the Dredd tone.
Heres the first 10 mins of it- the firtst 5 is pretty accurate to the comic really.
The new version kind of looks to the comic what Dark Knight looks to Burtons Batman. Sort of.
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Pettytyrant101- Crabbitmeister
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Re: Future releases
looks a bit silly to me.
Mrs Figg- Eel Wrangler from Bree
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Re: Future releases
Dredd comics are very British despite being set in America and about an American- its a very British view of America and a British sense of humour- I started reading it in my late teens during the Thatcher years and the poll tax riots of which I was a part. At that time the Dredd story was about Block Tax riots. It was always refletive of the times (before that there was the War beteween the remains of the US and the remains of Russia reflecting a hot version of the ongoing at the time real world Cold War).
At its lightest its just fun, violent, over the top silliness- at its most serious it was social comment on the nature of law, order, auhoritiy, individual freedom v collective right etc.
The biggest mistake the Stallone version made (apart from Stallone) was to not be about anything. Not sure the new one looks like its about anything either.
One of my favourite Dredd panels is one of him after they have raided the wrong house and broke into the apartment of a 70 odd year old little grey haired lady and there's Dredd, instead of apologising, leaning over the fish bowl eyeing up the goldfish like its Jack and Ripper and demanding "Do yo have a licence for this?"- she didnt so Dredd gave her 5 years in a Cube. Thats Dredd justice.
At its lightest its just fun, violent, over the top silliness- at its most serious it was social comment on the nature of law, order, auhoritiy, individual freedom v collective right etc.
The biggest mistake the Stallone version made (apart from Stallone) was to not be about anything. Not sure the new one looks like its about anything either.
One of my favourite Dredd panels is one of him after they have raided the wrong house and broke into the apartment of a 70 odd year old little grey haired lady and there's Dredd, instead of apologising, leaning over the fish bowl eyeing up the goldfish like its Jack and Ripper and demanding "Do yo have a licence for this?"- she didnt so Dredd gave her 5 years in a Cube. Thats Dredd justice.
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Pettytyrant101- Crabbitmeister
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Re: Future releases
Dredd does real world- sort of- the Dredd universe Cold War goes hot-from back when the actual Cold War was ongoing and still scary. (Apologies for size of these-but smaller the writing is hard to read)
Some pages from 'America'- viewing the Judges, and Dredd, from the other side.
Some pages from 'America'- viewing the Judges, and Dredd, from the other side.
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Pure Publications, The Tower of Lore and the Former Admin's Office are Reasonably Proud to Present-
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*Pure Publications reserves the right to track your usage of this publication, snoop on your home address, go through your bins and sell personal information on to the highest bidder.
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Pettytyrant101- Crabbitmeister
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Re: Future releases
those cartoons look a hundred times more interesting than the film, I think it was the Stallone thing that put me off. I was never much interested in cartoons as a kid, so I am not familiar with many of them apart from Spiderman and Diabolik.
Mrs Figg- Eel Wrangler from Bree
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Re: Future releases
Theres an excellent looking fan film, just finished wrapping- based on another Judge, an older Judge, who has begun to question just what it is they are doing. And when that happens only one thing left for a Judge to do-take the Long Walk- go out from the citywalls into the radioactive wastelands that is most of America and take the law to the lawless.
I'm looking orward to this one more than the Urban one.
I'm looking orward to this one more than the Urban one.
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Pettytyrant101- Crabbitmeister
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Re: Future releases
Mmm did some diggin around and according to imdb the 'rookie' in the Urban film is suposed ot be Cassandra Anderson. In the comics Anderson is on eof Psi-Divisions top cops- n the future every justice department has a psi-division. Regular judges like Dredd dont like working with them- too emotional.
Heres a page from Shamballa, an Anderson story in which the Mega-City Psi-Division has to join forces with their Sov-Block counteprarts.
Can't say as the character in the film seems at all familar- just basic 'fiesty women rookie cop'
Heres a page from Shamballa, an Anderson story in which the Mega-City Psi-Division has to join forces with their Sov-Block counteprarts.
Can't say as the character in the film seems at all familar- just basic 'fiesty women rookie cop'
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Pettytyrant101- Crabbitmeister
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Re: Future releases
Empire has a 10 things you need to know about Dredd article- http://www.empireonline.com/features/10-things-dredd -ahead of the film release.
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Pure Publications, The Tower of Lore and the Former Admin's Office are Reasonably Proud to Present-
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Warning may contain Wholesome Tales[/b]
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Warning may contain Wholesome Tales[/b]
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Pettytyrant101- Crabbitmeister
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Re: Future releases
Even if you've never seen any of his films, I'm sure that everyone here is aware of Guillermo del Toro and how he left The Hobbit so that he could work on other movie projects. Well, the first of those projects is called Pacific Rim and it's due out in almost exactly a year. It just had its first poster released in the build-up to Comic-Con, same as TH.
I've watched a lot of anime but that is still one of the biggest Giant Robots that I've ever seen. Del Toro's synopsis sounds promising.
http://www.wired.com/underwire/2011/11/interview-guillermo-del-toro/all/1
Really looking forward to a trailer for this.
I've watched a lot of anime but that is still one of the biggest Giant Robots that I've ever seen. Del Toro's synopsis sounds promising.
We are working with actors that I absolutely adore. Idris Elba, Charlie Day, Charlie Hunnam, Ron Perlman. It’s really, it’s a very, very beautiful poem to giant monsters. Giant monsters versus giant robots. Twenty-five-story-high robots beating the crap out of 25-story-high monsters. We’re trying to create a world in which the characters are real and how it would affect our world politically, how it would affect the landscape if creatures like this really came out of the sea, etc.
http://www.wired.com/underwire/2011/11/interview-guillermo-del-toro/all/1
Really looking forward to a trailer for this.
Re: Future releases
Empire Magazines Judge Dredd review
- Spoiler:
- Two long shadows fall over Dredd, the second attempt to get 2000AD’s gnarly, grizzled super-cop onto the big screen. One of them, as you might expect, is Danny Cannon’s 1995’s Judge Dredd, the Sylvester Stallone vehicle that looked the part, but misunderstood the fundamentals right down to the inclusion of Rob Schneider as comic relief.
The second, though, is somewhat unexpected. In an ideal world, we’d be able to see and assess films in a bubble, but this isn’t an ideal world. Just as it was virtually impossible to watch Prometheus without unbidden thoughts of Alien, so it goes with Dredd and The Raid, Gareth Evans’ blistering Indonesian action flick which, in a perfect storm of horrible timing, has virtually the same plot, right down to the chief baddie putting out a hit on the hero via building-wide intercom.
This wouldn’t be to Dredd’s detriment if The Raid hadn’t a) got there first and b) been the best action film in years. And so, as Dredd and Anderson tiptoe down dark corridors, where danger lurks around every corner, or bullet-bludgeon their way through Ma-Ma’s seemingly endless waves of expendable henchmen, it’s hard not to compare and contrast with Evans’ movie, where similar situations led to action that was vital, insanely violent and full of variety. Dredd retains the extraordinary violence (flesh pierces ripples bare flesh in loving slo-mo, a machine gun reduces a head to a pulp, and bodies spiral through 200 storeys before splatting), but the action is rather more circumspect and workmanlike – there are no dizzying camera moves, no sense of building momentum or mounting danger.
That, overall, Dredd manages to obliterate the memory of Judge Dredd (and to a lesser extent, The Raid) is largely attributable to one of the things it gets absolutely, incontrovertibly right: Dredd himself. John Wagner’s creation is a tricky one to represent on the big screen: dour, one-note, humourless, dedicated to upholding the law above all other things, he’s Dirty Harry wearing fascism like his gold badge. The obvious temptation is to judge the Judge and soften him, to make him glib, to introduce back story and a sense that there’s a living, breathing, caring, sharing human being under there.
Dredd’s director, Pete Travis, and screenwriter Alex Garland, the driving force behind the reboot, say “drokk that!”, and transplant Dredd straight from the comics onto the screen. This Dredd is a deadpan delight - he doesn’t grow as a person and he doesn’t crack wise. In fact, the movie generates its few laughs from his sheer intractability – a grunt here, a monosyllabic response there. It’s a role that has to be handled with care, and luckily Urban is excellent. Unlike Stallone, the helmet stays on (in a cute touch, we first see him from behind without the headgear) and, without recourse to his eyes, Urban is forced to give good lower head, leading with the manliest movie chin this side of Kirk Douglas, and growling his lines in an Eastwood-meets-Pazuzu rasp that just about manages to stay the right side of tough-guy parody.
With Dredd unchanging, and Lena Headey’s quietly chilling villainess, Ma-Ma, proving equally monomaniacal, the emotional arc is given to Thirlby, whose engaging Anderson has to grow up quickly as the bullets start flying.
The focus on a small core of characters (including, happily, The Wire’s Avon Barksdale, Wood Harris, as Headey’s right-hand dealer), and the decision to restrict the action to Peach Trees is a byproduct of Dredd’s relatively miniscule (for a comic-book adaptation) budget. Dredd doesn’t have the capital to do an enormous Dark Knight Rises-style denouement, with the big action set-piece, involving Ma-Ma firing a cannon even more dangerous to Dredd than Danny, coming halfway through. Impressively, though, it never looks bargain basement – the murky green/brown colour scheme, along with the brief opening in Mega-City One (Johannesburg with some CG enhancements), clearly show that this post-apocalyptic world is rundown, seedy, gone to pot.
And that murk allows Travis to escape occasionally into the (literal) Slo-mo sequences. The drug, which makes users perceive time at one per cent of its normal speed, isn’t just an excuse for Peckinpah apeing, but for genuinely surreal splashes of heightened colour that, thankfully, don’t outstay their welcome. The film’s use of 3D is often excellent (including the credits) and it really comes to life in the Slo-mo scenes – Headey’s introduction, swirling rainbow-coloured droplets of bath water around in a drug-induced haze, will make this – ironically - a stoner favourite. Hey, we’re not judging.
There’s certainly enough here, despite the clunky action and oppressively dour tone, to make the prospect of a sequel intriguing. With a bigger budget, Dredd could get to play in a bigger sandpit. There’s a whole Cursed Earth out there, just waiting to be explored. But, if it doesn’t come to that, this is an honourable attempt at giving an iconic character the adaptation he deserved. Just don’t double-bill it with The Raid.
Verdict
There was much to dread about this new iteration of Dredd, but it’s a solid, occasionally excellent take on the character, with Urban’s chin particularly impressive.
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Pettytyrant101- Crabbitmeister
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Re: Future releases
The Wizard of Oz meets CGI, coming next Spring.
I like James Franco but this looks terrible.
I like James Franco but this looks terrible.
Re: Future releases
oh for crying out loud! is nothing sacred? no doubt Dorothy will be kicking ass down the yellow brick road
Mrs Figg- Eel Wrangler from Bree
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Re: Future releases
I think it's a prequel about the Wizard's origins, actually, though I'm not sure. All my knowledge of Oz comes from a single foggy memory of seeing the film when I was a little kid.
- Spoiler:
- Not trying to start another Oz: book vs. film debate here.
Re: Future releases
I just watched the "Man of Steel" teaser trailer, and it has the song from LOTR after Gandalf falls in Moria! Can they use music from an actual film like that?
here's the trailer
here's the trailer
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Tinuviel- Finest Nose
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Re: Future releases
Guess if you pay enough you can use it. Either that or Howard Shore is doing the soundtrack and was a bit short of time so recycled an old tune!
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Pettytyrant101- Crabbitmeister
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Re: Future releases
Man of Steel is a Warner Bros. film and New Line was absorbed by Warner Bros. a few years ago so I doubt they had to pay for it. LOTR actually used music from Requiem for a Dream in its trailers (the famous "Lux Aeterna" song). The difference is that Requiem was a little-seen cult film and LOTR was a mega-blockbuster, so the LOTR music is more instantly recognizable.
I can't imagine the Gandalf music will appear in the finished film, though.
I can't imagine the Gandalf music will appear in the finished film, though.
Re: Future releases
Brace yourself, the years of the geeks are coming.
Doctor Who Series 7: August 2012
Supernatural Season 8: October 3, 2012
J.K. Rowling’s new book: September 23, 2012
The Hobbit: December 14, 2012
Sherlock Series 3: (here’s hoping) 2013
Iron Man 3: May 3, 2013.
Man of Steel: June 14, 2013
Wolverine 2: July 26, 2013.
Thor 2: November 15, 2013.
Catching Fire: November 22, 2013.
The Hobbit 2: December 13, 2013.
Deadpool: 2013/2014
The Amazing Spider-Man 2: May 2, 2014
Captain America 2: April 4, 2014
Avengers 2: 2016
and now add The Hobbit 3
Doctor Who Series 7: August 2012
Supernatural Season 8: October 3, 2012
J.K. Rowling’s new book: September 23, 2012
The Hobbit: December 14, 2012
Sherlock Series 3: (here’s hoping) 2013
Iron Man 3: May 3, 2013.
Man of Steel: June 14, 2013
Wolverine 2: July 26, 2013.
Thor 2: November 15, 2013.
Catching Fire: November 22, 2013.
The Hobbit 2: December 13, 2013.
Deadpool: 2013/2014
The Amazing Spider-Man 2: May 2, 2014
Captain America 2: April 4, 2014
Avengers 2: 2016
and now add The Hobbit 3
Re: Future releases
I wonder if Hobbit 3 will push back Sherlock series 3! I hate you PJ!!!!!
_________________
Pure Publications, The Tower of Lore and the Former Admin's Office are Reasonably Proud to Present-
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*Pure Publications reserves the right to track your usage of this publication, snoop on your home address, go through your bins and sell personal information on to the highest bidder.
Warning may contain Wholesome Tales[/b]
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Compiled and annotated by Eldy.
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*Pure Publications reserves the right to track your usage of this publication, snoop on your home address, go through your bins and sell personal information on to the highest bidder.
Warning may contain Wholesome Tales[/b]
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Pettytyrant101- Crabbitmeister
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Re: Future releases
I wouldn't be surprised if it does. They also have to schedule around Cumberbatch's filming of Star Trek 2, assuming that that film ever actually starts filming.
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